Curatorial Statement

In nova fert animus mutatas dicere formas corpora.

Now I am ready to tell how bodies are changed into different bodies.

Ovid, Metamorphoses

Expanding upon SFER IK’s inaugural trilogy, Alignments, Configurations and Conjunctions, which retraced the stages and strata of manifestation and connection, SFER IK’s fourth exhibition, Alchemistry, focuses on the transformation and sublimation characteristic of the alchemical forces underlying the artistic and human process of evolution and creation. Featuring works by Kelly Akashi, Bianca Bondi and Rochelle Goldberg, the exhibition explores the alchemical process by operating synaesthetic shifts, staging dissolving shapes, revealing the infinite potentiality of materials and transposing matter into the mythological sphere.

US-based artist Kelly Akashi’s oeuvre unveils a constant flow of transformation operating as a metaphor for the transition from one physical or evolutionary state to another. In Pincer, lost wax bronze casts of fractions of her hand contained within a pearlescent organic shape made of handblown glass suggest the origination of complex life forms in creatures of the sea. The fingers evoke a sensorial organ of discovery, implying a possible transition from visual to tactile perception. Shells, a tomographic video uncovering an oscillating microcosm dwelling inside the partitions of a sea shell, points to life’s infinite fragmentation and unity at once, while Big Drip, a lost wax cast of a cathedral-like dissolving structure, and Life Form (Moon Mask), a spherical shape reminiscent of an ancient ceremonial recipient, mark the inception of a teleological narrative.

Paris-based South African artist Bianca Bondi’s work explores matter’s potential of transformation through an instinctive alchemical process resulting in the mutation or even dissolution of her creations. Tegeticula Yuccasella, a translucent purple cloak suspended from the ceiling, insinuates shamanic practices favoring elevated states of consciousness, whereas Here, Not Here (Psíquico), a blue neon installation, lit at times and illusive at others, yields the vacillating promise to access the innermost workings of the soul. Meanwhile the delicate crystal network in This is Jupiter in Sagittarius, Healing and Justice continues to grow throughout the course of the exhibition as a living artwork embracing the infinite generative process of nature itself.

Canadian artist Rochelle Goldberg introduces a mythological component into the alchemical research deployed inside of SFER IK’s meandering space through awe-inspiring masks and demiurgical figures made of ceramic that merge the four elements of earth, water, fire and air. Intralocutor, a life-size representation of a female figure, shaped in the classical contraposto and simultaneously evidencing post-modern fragmentation, evokes a multitude of mythological and mystical inspirations, such as the seven Marys or the disembodied force of Kundalini. In Gatekeeper, the expanding concentric circles of the coated aluminum structure supporting the figure’s ceramic head suggest the inscription into multiple spheres, a theme continued in Swarm, a delicate feathered nylon net, outlining the coordinates of a new space-time continuum the viewer is invited to enter.


Francisco Uh May

5th September, 2019 - 31 January, 2020

Curatorial Statement

ALLIGA, an exhibition featuring three unique artworks that respond to the environmentally urgent issue of exponential seaweed growth, will open at SFER IK in Francisco Uh May on September 5, 2019 and be on view through January 31, 2020.

Paris-based Argentinian artist Cecilia Bengolea’s seaweed-shaped sculptures intermingled with bats, keepers of the ecosystem, transform the exhibition space into an immersive aquatic sphere that asks viewers to consider and tend to its equilibrium and continuance. A specifically commissioned dance performance will mimic the tides and shifts of the ocean and its flora, ultimately inviting the audience to embrace the movement as a distinct, cognitive approach.

Japanese artist Aki Inomata will present her acclaimed video piece Think Evolution #1 Kiku-ishi (Ammonite), 2016–2017, currently on view at the Triennale di Milano, Broken Nature: Design Takes on Human Survival. The piece features a hermit crab inhabiting a 3D-printed shell form, operating as a metaphor for a possible symbiotic relationship between man and nature.

Norwegian artist Sissel Tolaas will complete this immersive experience with an olfactory installation containing smell molecules extracted from local seaweed through a sophisticated process in her studio in Berlin. The artist seeks to open a different channel of perception through a sense that is rarely activated in contemporary art.